Cold Case Files: The Gardner Theft, 20 Years LaterThe story has been building up on various blogs in anticipation of its 20 year anniversary -
In 1990, two intruders made off with nearly $500 million worth of rare works from the Gardner Museum. Artists included in the stolen works include Vermeer, Rembrandt, and Manet. The FBI is currently testing some recovered DNA evidence that might shed some light on a trail that has led to a number of dead ends over the past two decades.
Stephen Kurkjian of the Boston Globe has posted a story on the history of the heist, highlighting the investigators' hopes of resurrecting the case with the updated evidence.
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Above: One of the paintings included in the heist, still missing to this day - Rembrandt, Storm on the Sea of Galilee.
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Big RED's Recs for This WeekEvery week, Big RED picks out a series of gallery or performance postings from its free listings section for Boston's Weekly Dig. Here are our choices for the exhibitions to see this week:
Clark University Alchemy: Art+Science Through April 10, 2010
Brant Gallery, Massachusetts College of Art and Design Stove Lab: A Collaborative Studio Through March 18, 2010
Axiom Center for New and Experimental Media COLLISION15: findings Through March 27, 2010
LaMontagne Gallery Jonas Wood // Chris Caccamise Through March 27, 2010
Davis Museum and Cultural Cnter "Something Like Fireworks" A New Installation by Stephen Vitiello Through June 6, 2010
University Gallery at UMass Lowell "Food Court" by Jeffu Warmouth Through April 2, 2010
Melle Finelli Studio They Believed Every Word. An Installation by Heidi Kayser and Sarah Rushford Through March 26, 2010
fivesevendelle Half Life: new work by Corey Corcoran Through March 26, 2010
Pierre Menard Gallery Souls March 12 - April 11, 2010 Reception: March 12, 2010
Mobius at 725 Harrison Avenue South End Boston Drawing Marathon 6 March 14 Reception: March 14, 2010
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Jena Performing Local My idea is to try to eat local for 30 days, or perhaps 60 (if Tehching Hsieh can go a whole year). The point is to attempt an experiment in living the beliefs I have been advocating. Beyond advocacy I am interested in "performing/participating" in this idea of local living, which has become so trendy in popular culture. I say "performing/participating" because I think that, on one hand, I am participating in the idealism of local living, but also performing this idea of "going green" that has been made so popular by commercial culture. The above paragraph is by Jena Duncan, one of my students at AIB, in a response paper from an art history class about Performance Art. Her idea, to eat local as a art, has become "Jena Performing Local", an ongoing project that is her thesis.
On her website for the project, Jena has continued to explore her initial excitement around the ideas of performance art, ideology and food:
I'm an artist trying to walk the talk of local eating for 60 days. I am performing and living local simultaneously as my project seeps into every corner of my life. Experiencing while aesthetically translating. I'm having conversations and hoping to engage those around me - physically and virtually. Posts on her blog include titles such as "Foods I Lusted After Today 3/4/10" and "Ketchup (can I make my own?)". Her earnestness, and willingness to meet the challenge in interesting ways, is what makes the project fun and worth following.
I haven't written about her project before, impressed as I am, because of my proximity to the artist and her ideas. Thankfully, artist and philosopher (and Big RED contributor) Margot Kelley has written about the project on her blog. Kelley addresses many of the key issues that have come up around the work with intelligence and wit. She drives straight toward the "that's not art, it's just a lifestyle" argument and, while not finding answers, points to how complex the question is.
Kelley's post is worth a full read, but this paragraph stuck out for me:
I’m really interested in what happens when well-fed, economically safe folk are able to realize that eating is primal. When we go from abstractly knowing it to deeply knowing it, for such an understanding is potentially life changing. In the U.S., about 50 million people are considered “food insecure,” many of them children. For we lucky folks who are not hungry, learning this primalness in adulthood can change us not only in culinary ways, but also spiritually, politically,environmentally. It may prompt us to change jobs, grow vegetables, volunteer more. For a young artist making work in a world where Michael Pollan, Supersize Me and the eat local movements exist alongside Performance artists like Rirkrit Tiravanija and The National Bitter Melon Council, "Jena Performing Local" makes complete sense to me. I find it inspiring.
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DeCordova acquires new Antony Gormley sculpture.In a continued effort to bolster the museum's contemporary works in the sculpture park, DeCordova has acquired Reflection II, by Antony Gormley, the first in a series of major acquisitions made possible by the Hamilton James Sculpture Park Acquisition Fund. From the Press Release:
Reflection II consists of two cast iron sculptures at approximately 6’3” tall intended to stand on either side of a glass wall, appearing as a mirror image of itself. The piece will be installed with one figure inside and the other outside the Museum’s first floor lobby, so visitors may interact with the piece when they enter. This installation is symbolic of DeCordova’s commitment to presenting sculpture in the Park, as well as in the galleries. This sculpture, part of an edition of three with an artist’s proof, is the only one in a public collection.
The piece is scheduled to be installed on March 15th, 2010.
image info: Antony Gormley REFLECTION, 2001 Edition: Edition of 3 and 2 APs Cast iron 2 bodyforms: each 191 x 68 x 37 cm Installation view, Kunsthal Rotterdam, Netherlands, 2008 Photograph by Bob Goedewaagan, Rotterdam © Courtesy of the artist and Sean Kelly Gallery, New York
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TONIGHT! - Cult of Personality @ Fourth Wall ProjectOff the First Friday beaten path, is an opening at Fourth Wall Project titled Cult of Personality, featuring work from artists represented by Hideout Gallery. Fourth Wall Project is in the once vacant storefront near the Landmark Center in the Fenway.
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Until today, I was unaware of Hideout Gallery, which is, according to the site, "about portraiture, in all its forms", and each month, "release a limited edition, hand-signed, original portrait print from an artist we admire." They have an attractive internet storefront for selling art and contemporary portrait photography. By acknowledging their investment in a pop culture aesthetic, they've bypassed a traditional gallery format and aimed marketing straight to the cultural consumer.
They're based out of Northampton, MA, and currently feature work from photographers based in New York (one of the founders, Matthew Salacuse, is included in the current exhibit at Fourth Wall Project).
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Couple of things  I just wanted to post on a couple of things I've had the chance to see this week. First off. I got to see the new ART production of Clifford Odet's play Paradise Lost on Wednesday. Halfway through the second act I was concerned and not really enjoying myself. It is a dark, dark play. And I had a hard time identifying with the characters as none of them seemed to have any redeeming qualities. However, by the third act I was sold. Odet's story is one of a family during the great depression and a lot of it really resonates. There is some video thrown in. Some of it works and some does not but it does make for an interesting visual experience. Some of the design left a little to be desire. The costume design in act three was very heavy handed - all wore t-shirts of major corporations as they moved out of their foreclosed house. Sally Wingert is phenomenal as Clare Gordon the matriarch of the family but Hale Appleman as the son was annoying. He spent several scenes being outshined by Karl Bury as his friend Kewpie.
It is worth checking out. Odet is one of the unsung playwrites of the early 20th Century which isn't surprising if all of his work is this dark. This is the second production in their America: Bust, Boom, and Baseball series.
I also got a chance to check out AMALGAM and Different Kind of Monster at the BCA. It was guest curated by Evan J. Garza and is a great fun show that closes Sunday. Check it out if you can.

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Big RED's Recs for This WeekEvery week, Big RED picks out a series of gallery or performance postings from its free listings section for Boston's Weekly Dig. Here are our choices for the exhibitions to see this week:
Laconia Gallery The Artist as Collector Through March 6, 2010
Trustman Art Gallery at Simmons College Riches: New Work by Ellen Rich and Matthew Rich Through March 18, 2010
judi rotenberg gallery August Ventimiglia: Event Traces and Daniel Alcalá: Paper Trail v.7 Through March 13, 2010
Howard Yezerski Gallery Boston: Combat Zone 1969 - 1978 Roswell Angier, Jerry Berndt, John Goodman Through March 16, 2010
Axiom Center for New and Experimental Media COLLISION15: findings Through March 27, 2010
Art Complex Museum "On Their Own" Through May 16, 2010 Reception: February 21, 2010
University Gallery at UMass Lowell "Food Court" by Jeffu Warmouth Through April 2, 2010 Reception: March 3, 2010
Jewett Art Gallery at Wellesley College Transformations March 3 - April 4, 2010 Reception: March 4, 2010
Gallery 37-A William Pope.L "The Process Show" March 3 - March 27, 2010 Reception: March 5, 2010
fivesevendelle Half Life: new work by Corey Corcoran March 6 - March 26, 2010 Reception: March 6, 2010
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HAFNY: 31 Women in Art Photography In honor of Women’s History Month, Humble Arts Foundation in association with Affirmation Arts will present its second edition of 31 Women in Art Photography, a five-week exhibition celebrating 31 of the most innovative women in new art photography. While this show is not local, it does feature many photographers with ties to New England.
Claire Beckett (MassArt), Anna Krachey (SMFA), S. Billie Mandle (MassArt), Yamini Nayar (RISD), Kristine Potter (Yale), Irina Rozovsky (Tufts, MassArt), Sasha Rudensky (Wesleyan, Yale), and Victoria Sambunaris (Yale). Curated by Charlotte Cotton, creative director for the National Media Museum in Bradford, England and Jon Feinstein, co-founder and curatorial director of Humble Arts Foundation, this show promises to be impressive amount of talent all on one space.
Photographers not familiar with Humble Arts should become a regular visitor to their site, as they feature regular online exhibits and open submissions for a variety of ongoing curatorial projects.
The exhibit is on view from this Saturday, March 6, though April 10. The opening is from 6-9 on Saturday and the turnout is going to be huge. If you in NY this weekend and you want to attend, RSVP through Affirmation Arts, located at 523 W. 37th Street in New York.
Images top to bottom: Anna Krachey, Claire Beckett, Yamini Nayar.
 
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Big RED's Recs for This WeekEvery week, Big RED picks out a series of gallery or performance postings from its free listings section for Boston's Weekly Dig. Here are our choices for the exhibitions to see this week:
Mount Wachusett Community College Kevin Dacey / Negotiants + Transitioners Through March 6, 2010
Samsøn Color Isn't Matter Through March 20, 2010
Laconia Gallery The Artist as Collector Through March 6, 2010
Rhode Island Council on the Arts / Imago Gallery 2010 RISCA Fellowship Exhibition Through February 27, 2010
Photographic Resource Center 2010 PRC Student Exhibition Through April 4, 2010
Brant Gallery, Massachusetts College of Art and Design Stove Lab: A Collaborative Studio Through March 18, 2010
Axiom Center for New and Experimental Media COLLISION15: findings February 19 - March 27, 2010 Reception: February 19, 2010
Massachusetts College of Art and Design Wade Kavanaugh & Stephen Nguyen--Artist Lecture February 24 Reception: February 24, 2010
Davis Museum and Cultural Cnter "Something Like Fireworks" A New Installation by Stephen Vitiello February 24 - June 6, 2010 Reception: February 24, 2010
Coolidge Corner Theatre Benefit Screening of The Agronomist with Director Jonathan Demme March 1, 2010 Reception: March 1, 2010
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